Dispatches, process and material from the work.
I noticed that there are two places where I seem to get most of my ideas from and I am not sure yet how they are connected. So to share a bit about how I walk through life a bit of the backstory: I always have this nerdy looking fanny with me and in it I carry a little black sketch
I am not really sure who started this whole trend of the "suffering artist" and that somehow the self image of a creative person is a lot of time linked to the idea of enduring hardship and pain. Society loves the stories of artists that kill themselves or have some mental issues
Vernissage: 1st Dec 13H
Bang Lamung, Thailand
Cartagena, Colombia
One lasting impression in my recent stay in Bogotá was the Museo del Oro. It displays an extraordinary selection of its pre-colombian artworks - the biggest in the world. I had seen them in books before but now being surrounded by them by such large numbers was something very dif
A piece containing text in combination with material can translate to a kind of associative puzzle that awaits to be deciphered by the viewer. The material I chose for this piece was carefully selected to reveal the story it represents, the story of its nature. Here is the story
Collaborative Ping Pong Mural / Chalk on Stone / India, 2011
Some projects are born in seconds, other ones in minutes. Very few take decades. The “Timeless” project has, of course, taken time to materialize, but—as its name might suggest—the perception of time itself happened to be the project’s subject. I carried this project idea with me
